Amid promotional activities, it’s often noticed that actors and creators tend to amplify their efforts in promoting a film. However, Rakshith Shetty when describing the movie “Sapta Sagaradaache Ello” He consistently referred to it as a poetic masterpiece, a description that resonated perfectly. This film marks the reunion of Director Hemanth Rao and Rakshith Shetty after their collaboration on “Godi Banna Sadharana Mykattu.” The movie is set to be released in two parts, Side A and Side B.
In Side A of the narrative, audiences can anticipate an earnest romantic drama unfurling between the characters Manu and Priya. Their love story is characterized by its profound simplicity—unfettered by grandiose dreams. Amidst the hurdles they encounter, their sanctuary lies within each other’s presence, a testament to the enduring power of love even in the face of adversity. In today’s cinema landscape, crafting characters of this nature with such authentic depth is a rarity
Director Hemanth Rao, was known for evoking emotions through storytelling in “Godi Banna Sadharana Mykattu” a standout moment of Ananth Nag’s narration of his past love story, a scene fondly remembered as “Nimma Pushpa.” In “Sapta Sagaradaache Ello,” this intensity is extended throughout the entire film. The movie is adorned with poignant dialogues like “ನನ್ನ ಸಮುದ್ರ ನೀನು” (You are my ocean) and profound life quotes such as “ನಾವು ಮನುಷ್ಯರಾಗಿ ಹುಟ್ಟಿಲ್ಲ ಮನುಷರಾಗಕ್ಕೆ ಹುಟ್ಟಿದ್ದೇವೆ” (We are not born human, but we are born to become human). While the film’s pacing may seem unhurried at certain points, its narrative and substance remain compelling.
Rakshith Shetty, who artfully portrayed vulnerability in “777 Charlie,” delivers another deeply moving performance as Manu. Alongside him, Rukmini Vasanth out-shines in her portrayal of Priya. The supporting cast, including Ramesh Indira, Achyth Kumar, Avinash, Gopalakrishna Deshpande, Sharath Lohithaswa, Pavithra Lokesh, and others, impeccably embody their respective roles.
Charan Raj’s musical compositions provide an exceptional auditory experience, complemented by the captivating visuals by Advaitha Gurumurthy. The film’s art direction and costumes maintain a touch of realism, with special acknowledgment given to the thoughtfully designed simplistic wardrobe of Priya, enhancing the charm of her character.
The movie is a must-watch, delivering an emotionally charged experience that induces both smiles and tears. It’s a cinematic journey that should not be overlooked—a Side A that’s so heartfelt and gratifying that it tempers any eagerness for the revenge-driven and darker dimensions awaiting in Side B of the tale.
