The art of crafting an engaging first half to set the stage for a gripping second half is a lesson many contemporary filmmakers could benefit from. “Rakthaksha” exemplifies this approach, delivering a second half brimming with action, suspense, and intrigue.
While Rashtrakavi Kuvempu’s novel “Rakthakshi” is celebrated in Kannada literature, the film “Rakthaksha,” which has been in circulation since 2008, takes a different path. Originally launched by SV Rajendra Singh Babu, this 2008 film did not achieve much traction. However, the title “Rakthaksha,” named after a demon from ancient folk Puranas (with his brother Veerupaksha portrayed by Dr. Rajkumar in the mid-60s film “Sathi Shakthi”), has found new life with this recent adaptation.
The current film, featuring the dashing and well-built Rohith, excels particularly in its second half, revealing societal dangers and delivering an enthralling narrative. The title track, sung by the renowned actor Vasishta N. Simha, adds to the film’s appeal.
In the film’s opening, the protagonist boldly declares, “I am the hero, I am the villain, and I am the mystery,” setting the stage for a series of intriguing developments. The murder of Riya, Saida, and Shiny unfolds mysteriously. As the film progresses into its second half, the plot thickens with revelations about drug lords and organ traffickers. The trio of girls involved in nefarious activities targets Sandy, the protagonist’s brother, escalating the stakes.
Rohith, portraying the protagonist, faces formidable challenges, particularly in his confrontations with a demon played by Pramod Shetty. Just when it seems the film is nearing its end, a new twist involving the drug mafia lord emerges, promising an unexpected turn. The film even hints at a sequel before the final song, which adds an intriguing dimension to the storyline.
Rohith, a well-built and convincing lead, shows promise but could benefit from improved dialogue delivery. Originating from Bisilur in Raichur district, Rohith’s investment in Sai Productions demonstrates his commitment to the film industry, and his potential as an actor is considerable.
Director Vasudev SN skillfully incorporates numerous twists and turns in the second half. Adarsh S’s cinematography is commendable, while Direndra Doss (also known as Doss Mode) contributes two lively numbers—one at the start, sung by Vasishta N. Simha, and another at the end, “Arrest Me Baby,” sung by Supriya Ram.
Roopa Rayappa, Archana Kottige, and Rachana Dasharath deliver distinctive performances as part of the trio gang. Gurudev Nagaraj’s role as a cop could have been more prominent, but Shivamogga Ramanna as a constable provides solid support. A standout dialogue, “Batte Andamele Maasu Hogabeku, Manushya Andamele Mosa Hogabeku,” exemplifies the film’s sharp writing.
For action enthusiasts, the second half of “Rakthaksha” offers a thrilling feast.
