Vinay Rajkumar’s previous film, Ondu Sarala Prema Kathe, won the hearts of both family and young audiences, leading many to anticipate that he could become the new face of romantic cinema. However, with the release of the first look for his latest film, PEPE, it was clear that this movie would take a starkly different direction, embracing a more violent narrative. Viewers should consider their tolerance for violence before watching, as the film may prompt reflections on whether there should be a rating beyond ‘A’ (Adult Audience) for such intense content.
The story unfolds in the villages of Basti and Badanal, divided by a river and locked in a generational feud. The upper class of Basti, led by Malabari, exploits the migrants of Badanal for sand mining. Rayappa, the leader of the migrants, retaliates, leading to bloodshed. Pepe, born to a downtrodden father, Dharma (played by Naveen), and an upper-class mother, Sunitha (portrayed by Aruna Balraj), vows to seek revenge. Following his father’s and uncle’s footsteps, Pepe becomes a protector of the oppressed. However, after enduring significant personal losses, Sunitha yearns for peace and an end to the violence. The film questions whether Pepe can break the cycle of bloodshed or if he will continue the cycle of revenge.
PEPE incorporates classic mass film elements—backstory, traditions, family feuds, a powerful hero, mother sentiment, and strong messages. However, it fails to entertain due to its overloaded and convoluted narrative. The film suffers from too many characters with complex backstories and interconnections, and its non-linear structure may confuse rather than engage the audience. The blend of fictional elements with real-life issues lacks context, while the portrayal of traditions and caste-related matters comes across as insensitive, further marred by excessive gore, shocking visuals, and numerous fight scenes that undermine the film’s impact and coherence.
On the positive side, the film excels in both performances and technical craftsmanship. Vinay Rajkumar delivers a noteworthy performance as Pradeep (PEPE), showcasing his acting and action skills. Aruna Balraj’s realistic portrayal highlights her acting prowess, and Mayur Patel’s comeback is commendable. The female ensemble, including Medini, Kaajal, and Sandhya Arakere, delivers impressive performances, while Bala Rajwadi and Yash Shetty effectively embody their notable roles. Additionally, Raghavendra Rajkumar’s special cameo as the storyteller adds a unique touch to the film.
Director Shreelesh Nair’s debut film ventures into unconventional territory. While it may not fit the traditional mold of a commercial entertainer, it offers an artistic cinematic experience. Each frame is meticulously crafted by cinematographer Abhishek Kasaragod with a keen eye for composition and lighting, creating a visual experience akin to a painting in motion. The film’s innovative editing by Manu Shedgar, featuring split screens and unique transitions, enhances the viewing experience. Poornachandra Tejaswi’s captivating music further enriches the film. If you’re interested in exploring a vivid and intense slow-paced film that delves into the extremes of sanity and madness, PEPE is worth a watch.
