Darshan, The Challenging Star and Box Office Sulthan, exuded enthusiasm during the media briefing for his latest film, ‘Kaatera.’
Flickfeeds.com succinctly captures the stupendous collector in box office of Darshan in a brief overview.
‘Kaatera’ boasts three distinctive fights – one featuring two hands, another with a single hand, and a unique sequence abstaining from the use of both hands, all skillfully choreographed by Ram Lakshman and Vinod.
The film delves into the challenges faced by farmers, and we dedicated two months to construct two villages, during which I stayed home. The awe-inspiring sight of the villages left a lasting impression.
‘Kaatera’ generously accommodates all actors, aligning with the demands of the storyline without unnecessary excess.
While the film features numerous characters, Vyjyanath Biradar’s performance stood out, leaving me in awe. I couldn’t help but wish I had taken on that role, similar to my experience with ‘Kurukshetra,’ where Shakuni’s character was equally impressive.
I promptly approved director and writer Tarun Kishor Sudhir’s vision for ‘Kaatera’ in one sitting. Thaatha alias Rockline Venkatesh also joined the project. Addressing sensitive issues, Tarun demonstrated exceptional skills in meeting the producers’ expectations, particularly Rockline Venkatesh’s. In today’s era, making a straightforward film was a challenging task, and Tarun excelled.
Having previously collaborated on ‘Yodha’ with ‘Thaatha’ Rockline, this film’s uniqueness lies in the workshop attended by all the artists. Shruthi, Biradar, Kumar Govind, and Avinash willingly embraced Tarun’s ideas, eliminating the need for additional workshops.
In ‘Kaatera,’ Shruthi and Kumar Govind portray characters akin to my elder sister and younger brother, respectively. Acting alongside Shruthi, a seasoned artist, revealed the depth of a woman’s pain.
The film introduces national award-winning child actor Master Rohith, who delivers an exceptional performance. I eagerly await a glimpse of the national award Master Rohith received in Mysuru.
‘Kaatera’ isn’t a Pan-Indian cinema; it possesses distinct dimensions.
The film serves as a significant debut for Malashri and Ramu’s daughter, Aradhana, who proves to be a talented artist in her first take. Reflecting on his father Toogudeepa Srinivas’ experiences during the ‘Rani Maharani’ shoot, Darshan recalls his father’s challenge in acting alongside Malashri, who effortlessly steals the spotlight in every scene.
Expect a song after the initial 20 minutes and an engaging fight sequence at the 40-minute mark in ‘Kaatera,’ slated for release on December 29. I encourage everyone to witness this cinematic experience, signed off by Darshan.
