Films with a serene atmosphere and a sensible outlook are not commonly found. Although the film Kaagada has a familiar story, the serenity of the first half is like a cool breeze, with two songs capturing the hearts of the audience. As director Ranjit opts for a rational and sensitive approach in the second half, he falls into the trap of the same old narrative. Producer Arun Kumar Anjaneya has chosen a topical subject, emphasizing the need for national integration.
Set in the year 2005 in Bhairava Kote, a serene village with no police cases, the film presents an ideal example of peace and harmony. This harmony is threatened by the arrival of a Muslim family and the blossoming love affair of a teenager, which takes the film to a more sensitive level.
Director Ranjit, with the support of talented actors and technicians, has primarily showcased a love story between a Hindu boy and a Muslim girl. The second half depicts the usual conflicts arising from religious intolerance towards the lovers’ ideals.
The lives of Shivu (Aditya) and Ayisha (Ankita) are progressing well, and they exhibit a sense of responsibility. Both aim to excel in their studies, secure impressive jobs, and then propose marriage to their respective families.
The village’s sensitivity to these issues becomes a handicap. As terror strikes, the audience also feels the tension of these sensible issues coming to the forefront.
In addition to the precarious issue at the core, purity is not respected. Shivu and Ayisha’s ideals go unheard. The protagonist emphasizes that love is about mutual respect. They exchange the Bhagavad Gita and the Quran to learn more about each other’s beliefs.
The climax is stunning. This 149-minute film, with nine cuts mandated by the regional censor board, contains no objectionable scenes but addresses a hot topic of vengeance.
Aditya and Ankita have understood their roles well and delivered neat performances. Bala Rajawadi, Neha Patil, Matha Koppad, Ninasam Ashwath, and the actor portraying Ayisha’s father provide admirable support in their character roles.
Music composer Pradeep Verma’s two songs, Chanda Iva Gandha Iva and Howda Irabahuda, are very melodious. Cinematographer Veenus Nagaraja Murthy has provided excellent visuals, which is one of the film’s highlights.
Kaagada, while refreshing memories at times, is undoubtedly a competent attempt.
