Hemanth Rao, renowned for the quality and excellence evident in his previous works such as ‘Godibanna Sadarana Maikattu,’ ‘Kavaludaari,’ and ‘Saptha Sagardache Ello – Side A and B,’ firmly believes in creating films that are unique to his vision. Simultaneously, he has made the decision to merge Side A and Side B of ‘Saptha Sagardache Ello’ into a single film, each of which originally had a duration of over two hours. This idea was proposed by Rakshit Shetty, and we are actively working on its implementation.
When asked how he managed to engage an intelligent audience to continue watching after Side A and Side B of ‘Saptha Sagardache Ello,’ the talented director responded positively by explaining his approach to merging both sides into one film.
Hemanth Rao expressed his disappointment at not being able to cast his favorite actor, Ananth Nag, in both sides of ‘Saptha Sagardache Ello’ due to logistical challenges. However, he mentioned that Ananth Nag had seen Side A of the film.
Regarding the screening of the film for prison inmates, since a significant portion of the film was shot in a prison setting, Hemanth Rao plans to showcase both Side A and Side B of ‘Saptha Sagardache Ello’ in the Parappana Agrahara prison during the month of November. The prison has a cultural activity team, and the intention is to screen both parts. The facility also has a cultural wing and a radio station managed by inmates. There is a plan to screen Side A and Side B with a short gap between the two.
The journey has been quite extensive, with Side A receiving positive responses from various parts of the country, prompting a desire for a theatrical release in multiple languages. It is acknowledged that the best promotion for Side B is the existence of Side A, ensuring a comprehensive viewing experience with many elements.
The use of red color against a blue backdrop is crucial in the film and marks the beginning of Side B, a creative decision that was carefully made. The violent aspect is not predominant in the film, as the character of Manu has evolved significantly from his prison days.
When questioned about transitioning to making mass-oriented films, Hemanth Rao clarified that his approach to the mass audience is distinct from conventional mass cinema. Violence is not the sole focus, but it is a part of the film. The decision to shoot both sides simultaneously led to a consistent state of mind, and only minor edits were made during the editing process for Side B.
Hemanth Rao emphasized that the story in Side B is intricate, narrated swiftly, and encompasses moments of joy and various events.
