Title – Bhairadevi, Producer – Radhika Kumaraswamy, Direction – Shrijai, Cinematography – Jagadish Wali, Music – Senthil Kumar, Cast – Ramesh Aravind, Radhika Kumaraswamy, Anu Mukherjee, Ravishanker, Rangayana Raghu, Shivaramanna, Skanda Ashok, and others.
Of course, expect the unexpected. The unexpected comes in Ramesh Aravind’s role, and even the technicalities and narration are surprising, especially from director Shrijai in his second film. It is a huge production in terms of production values.
The film starts with frightening elements from the very beginning, and there are many stunning and sterling moments from the technical department, especially the portions involving the ‘Aghoris and ghost.’ The presence of a female Aghori in the film is the most unexpected element, and the developments are equally shocking and surprising.
In terms of narration and script, Shrijai has chosen a revenge saga centered around a ghost, and the family elements give the film its speed and flow. The strong support from the producer is the backbone, which has allowed the director a high degree of freedom to try new things.
Basically, it is DCP Aravind’s lust that leads to his family life falling apart. Fortunately for the audience, this aspect is revealed later in the second half, providing a shocking twist for Ramesh Aravind’s fans and family audiences.
As an important bureaucrat, Aravind wants to solve the strange disturbances plaguing him and his daughter, so he seeks the help of an Aghori to remove the ghost’s influence. He travels all the way to Varanasi for help, and a female Aghori, a strong follower of Kali Devi, comes to his rescue in a burial ground.
In the findings of the female Aghori, there is a shocking revelation, and the second half adopts a flashback narration style. In an inebriated state, the over-possessive DCP Aravind reveals to his wife how much he likes her sister, Bhumika (played by Radhika Kumaraswamy again).
To achieve his intentions, DCP Aravind is forced to take the wrong path and abuse his power. However, Bhumika, a lecturer in paranormal science, uncovers the real culprit. So, what would you say? DCP Aravind takes further steps, but everything becomes disastrous for him.
The female Aghori in the burial ground decides to end the ghost of Bhumika for the sake of DCP Aravind’s young daughter, but that’s not the end. DCP Aravind’s demeanor changes once Bhumika’s ghost is under control. There’s yet another surprise in the film’s final frame, which you must watch on the silver screen.
This is Radhika Kumaraswamy’s career-best performance. As a female Aghori, she has undergone immense stress and strain. As Bhumika, she is truly a ‘Sweety’ on the silver screen. Her dance and action scenes are top-notch. Anu Mukherjee, as DCP Aravind’s wife Shalini, delivers an emotionally compelling performance.
Ramesh Aravind, typically known as a gentleman hero, pushes his image further by showcasing his ability in a negative role. His dialogue delivery and acting are commendable, and his image will surely grow with ‘Bhairadevi.’
Rangayana Raghu provides excellent support as DCP Aravind’s timid assistant. The child actress is outstanding. Ravishanker shines in a song and as the mentor of the Aghori gang.
The makeup for this film deserves recognition, and the set design is applause-worthy. Senthil Kumar’s background score is chilling, and his two songs are excellent. The Aghori song and the devotional songs are glorious.
Technically, the film meets contemporary standards, and there are at least half a dozen moments where the audience will be shocked in their seats.
A well-crafted technical film, and a second part seems likely. For now, it’s definitely worth watching.
