Frequently stated is the origin of ‘Yoga’ from ‘Yogyathe’. This concept unfolds in the film ‘Rajayoga’ through the journey of a village graduate, where the audience witnesses the highs and lows of the protagonist’s life, reflective of typical village experiences that persist today.
Director Lingaraj Uchchangidurga’s literary prowess is a notable asset, skillfully anchoring the film in a village while resonating strongly with urban audiences. Interweaving diverse perspectives around the protagonist Pranesh, Lingaraj incorporates his distinct touch through timely quotes from philosophers and literary figures.
Lingaraj emerges as a skilled and adept director through this film, hitting every emotional note directly with the audience. The central theme revolves around a village youth with aspirations of becoming a Tahsildar.
In ‘Rajayoga,’ the concept of Yogyathe among relatives takes shape in various characters, offering a contemporary insight into the dynamics of relationships in the Indian subcontinent.
The narrative unfolds as Pranesh (Dharmanna Kadur) grapples with his father’s obsession with astrology in the film. Lingaraj, through characters like Sidramanna (Nagendra Shah) and an astrologer (played by Krishnamurthy Kavuthar), provides a commentary on the societal shift towards reliance on astrology. The film underscores the high cost associated with such beliefs, compounded by relatives branding Pranesh as a harbinger of misfortune.
However, Pranesh’s unwavering confidence and dedication stand out as the film’s commendable aspect. Lingaraj, in ‘Rajayoga,’ reveals that individuals from village backgrounds can aspire and overcome challenges through sheer commitment.
Dharmanna Kadur, known for comedy, admirably steps into the protagonist’s role, showcasing versatility. The film marks a notable departure from his comedic repertoire.
Actress Niriksha’s debut performance is promising, characterized by strong acting skills and a confident demeanor, evident in her expressive smile and dialogue delivery.
Among the seasoned actors, Nagendra Shah and Srinivas Gowda deserve recognition for their impactful roles. Srinivas Gowda, known for his work in television and cinema, delivers a compelling performance as a distressed father.
Akshay Rishab’s music enhances the film with three melodious and situation-appropriate songs. Vishnuprasad’s cinematography effectively captures the essence of village life throughout the two-and-a-half-hour runtime.
Directed by Lingaraj and supported by a team of six producers, led by Kumara Kanteerava, this film stands as a wholesome family entertainer, imparting valuable lessons for a better life.
